Thursday 15 December 2011

Why does photography cost so much

The digital revolution has brought amazing flexibility and ability to control various factors during the image taking and making process.  Photographers, the hobbyist, the professional, the amateur all benefit from this ability to manipulate pixels.  However, with flexibility comes a price.  Digital camera equipment is still considerably more expensive when you factor in its' lifespan, the need for additional resources for processing those images, the time it takes to get a usable image and the effort that goes into creating a work of photographic art. We all know that you can go to the local print shop and pay a £1 for a print – as a client you may wonder why you may pay £20 upwards for a custom photography print.   Photographers hear this statement every once in awhile:
"How in the world can you charge £20 for an 8×10 if it costs me less than £1 to print at x store?"
The truth of the matter is the answer to this question is multifaceted.  Much of the cost of a photographic print produced by a professional photographer has a lot to do with the time,  equipment costs, artistic vision and reputation of the photographer not to mention expertise and the usual costs of running a legitimate business. The cost of TIME Approaching it from a time standpoint, let's imagine that you have hired a photographer who has work that you love.  This photographer is traveling an hour to your destination to photograph your session.  Here is an example of a time break down:
  • booking time: 30 minutes to one hour (client contact time + paperwork)
  • pre-session prep time (30 mins – 1 hour, includes equipment and back up equipment checks + vehicle checks)
  • one hour travel time TO session
  • 15-30 minutes prep time at client's home
  • 90 minutes-2 hours with client photographing subject
  • one hour travel time FROM session
  • 30-45 minutes uploading time from digital cards from camera to computer
  • 30-45 minutes time spent backing up the original images
  • 2-5 hours editing time to present you with a diverse gallery of edited images
  • 1 hour prep time getting ready for ordering
  • 1 hour with client for ordering images
  • 1 hour sorting through and checking order
  • 30 minutes-1 hour getting order shipped
  • any additional phone time or time needed for add on ordering, shipment issues, quality issues
In this example, the time spent per client can range from just under 13 hours to 19 hours – dependent on the photographer's level of service.  This is time dedicated only to ONE session.  When the photographer charges £70 - £250 for the photo shoot (aka SESSION FEE) you are not just paying for the two hours of session time, you are paying the photographer for 12-19 hours complete time for your session.

The COSTS of Maintaining a Custom Photography Business:
Regarding equipment costs, a good quality professional camera with a selection of good optical quality lenses and digital storage mediums and computer set up can run from £5000 - £20000 costs dependent on the photographer.  Even though you can purchase a really good quality digital slr  for about £400 there are still other costs related to photography.  A good lens for portrait photography can run from £250 to £1800.  A dependable computer system with software loaded for business and creative usage can run £1200 to £5000 dependent on the photographer. Then come lab costs for specialty products.  A good photographer knows their professional lab is an integral part of their success.  These labs often cost more and offer a range of products that allows the custom photographer to continually offer new, innovative products for the discerning client.
Discussion on other costs of running a photography business could take awhile so we'll skip many of the intricate details.  An overview:  the costs of running the business, taxes, studio rental/mortgage if the photographer has ownership of a dedicated studio, vehicular costs, costs of advertising/marketing, costs of sample pieces that the photographer will likely bring to your session, etc.

Being in demand, being well known for quality work, having a good reputation often costs time on the photographer's part (years of practice, study, experience, etc).  A photographer's expertise comes at a cost, their time learning their craft and learning the intricacies of lighting and the commitment put forth on their end to create a persona about their business that oozes professionalism.  A great number of photographers go a very long time from the time that they purchase their first good camera to making money at the business of photography.  Many photographers, when first starting out, rush in thinking that the business will be easily profitable in no time, how expensive could it be to get a camera and use it to create their dream?  These photographers often undervalue what they do because they have the realization that they do not have experience or expertise but are very adept at pushing the shutter on the camera.  Many times these casual "professionals" neglect to factor in the cost of business, the cost of equipment, software, back ups, etc..  When you hire a photographer of sound reputation, you are hiring an expert, one that knows that they must always reinvest in their business to create the reputation of being top notch.  To create good work a photographer possesses not only sound knowledge in the technical and creative aspects of photography but also good, reliable equipment and back up equipment. 
The photographer who desires to be known as better/best/unparalelled reputation-wise knows that the most important thing they can do for their business is reliability and dependability.  This is how reputations get built.  Good work often is a wonderful side product of building that good reputation.

I hope this (lengthy) blog helps shed some light on WHY a custom photographer is a better choice for your family's memories.  The photographs that are produced as a result of the professionalism and dedication that your photographer has will be cherished for a lifetime (or more) and great thought and consideration should be placed into hiring who is right for your family's most precious investment.

Wednesday 23 November 2011

Shoot with Leann

Leann got in touch with me about a few ideas for some cool photo's,  she sent me 2 pictures of Janet Jackson that she would like to re create and i was more than happy to help out.
The first one with the ribbon was the picture she really wanted but was struggling to find the appropriate ribbon. A quick look at some sites came up with the same stuff time and time again that just wouldn't do (there was either not enough length or not wide enough). Off to good old ebay it was and found some ribbon perfect for the job, it was 7 meter length and 2 inche wide ribbon for a wedding car.
The 2nd shot Leann had told me that she had the outfit so no preperation was needed by me.

Day of the shoot and i was really excited as i always am, studio was all set and equipment checked ready for Leann's arrival.
To begin we started off with the picture in the jacket as that was the easiest. Leann knew what she was looking for so there was no pose guidance from me, all i had to do was click away. After every 2 or 3 frames i would let Leann see the shots we got to make sure she was happy with them.
Ribbon time.
At first we tried the shot with Leann lying down so onto the cold floor it was for her whilst i got the ribbon all in place. Up the ladder i went and took a few frames then down again to show her the images we got, Leann wasn't happy with them so we thought it may be best to do it standing up and have the ribbon a different way. This was much better and we got the shot fairly quick.

We took a few more shots but as these were the 2 Leann really wanted i will leave it at that.

Thank you to Leann for being a great model, i look forward to working with you again in the future.


Iain Geddes